Monday, September 25, 2023

How to write music with ChatGPT: Part 5 - Creating a 90s Rave Hardcore track

Hello,
It's your host again - Low Entropy.
Here is another tutorial for creating a track with ChatGPT.

This is a bit different to the other tutorials (well, to be honest, all were different to each other).
For example, in part 4, we had a tutorial that was about giving ChatGPT very clear and ordered "instructions", to get precise answers, essentially to have a full track created by the AI in the end.
This is more brain-stormy here, exploring different options, inquiring about things... like a "production dialogue" between me and the AI.
When listening to the final track, you will see that while I followed ChatGPT in almost all things in some areas, such as the precise notes and rhythms the AI gave me, the vocals, and so on, in other areas I used the ideas by ChatGPT more as inspiration, improvising and modulating on it, for example when it came to the structure of the track.
But I think it's important to show this side of AI music production, too. That, of course, you don't always have to follow the AI 100% in each step, but combine it with your own creative efforts, too!

By the way: in order to get the lyrics that ChatGPT created for me into vocals that I could use for the track, I used typecast.ai https://typecast.ai/

The finished track can be heard here: 


[Note: the transcript was slightly edited for clarity.]

[Note 2: while this is the 5th tutorial that was published, this track was actually the very first one that I created with ChatGPT!]

Begin of Chat Transcript

[Step 1: creating the lyrics for the track]

User
write me a surreal futuristic insightful deep poem about love

ChatGPT
In a realm beyond the reach of Time's hand,
Where gleaming galaxies forever expand,
Love emerged, a cosmic symphony in flight,
A surreal fusion of darkness and light.

The universe breathed whispers of desire,
As stardust caressed the hearts' hidden fire.
Boundless energies converged in embrace,
Love, a nebula of grace and cosmic lace.

In this surreal future, where dreams take form,
Love's essence defies every known norm.
A tapestry woven with threads of pure intent,
In love's sanctuary, souls find content.

Robotic hearts pulsate with coded beats,
Embracing humanity's newfound feats.
An artificial soul yearns for the real,
As love bridges chasms with an electric zeal.

Nanobots dance, traversing synaptic plains,
Transmitting emotions like ethereal rains.
Neurons shimmer, neurons quiver,
As love's ethereal touch makes hearts deliver.

Through data streams and virtual haze,
A love so profound, it reshapes our ways.
Beyond the confines of flesh and bone,
Love's boundless essence shall eternally own.

For love, my dear, knows no boundaries,
It defies the limitations of mortal decrees.
Through quantum leaps and cybernetic veins,
Love transcends, tethered to no chains.

So let us embrace this surreal tomorrow,
Where love's profound whispers dissolve our sorrow.
In this future's depth, we shall find our worth,
And discover the secrets of love's boundless berth.

[Step 2: Explaining and outlining the project to ChatGPT, and then jumping right into the production process]

User
i am a producer of music and want to use this poem for a track. could you help me create one?

[Note: this chat happened before ChatGPT became permanently aware that I am Low Entropy]

ChatGPT
Of course! I'd be delighted to assist you in creating a track based on the poem. To get started, could you please provide me with some information about the style or genre of music you have in mind for the track? Additionally, if there are any specific emotions or moods you'd like to convey through the music, please let me know.

User
it should be rave / trance / techno hardcore style

ChatGPT
Fantastic! A rave/trance/techno hardcore style can definitely bring a vibrant energy to the poem. Let's work together to create a track that captures the essence of the poem's surreal, futuristic, and deep elements. Here's a suggested structure for the track:

1. Introduction: Begin with a mesmerizing atmospheric intro, gradually building up the anticipation and setting the futuristic tone. Utilize pulsating synths, subtle arpeggios, and ethereal soundscapes to create a sense of otherworldliness.

2. Verse 1: As the beat kicks in, introduce the spoken word elements of the poem. Use a steady and driving bassline combined with energetic percussion to create a compelling rhythmic foundation. Experiment with glitchy effects and robotic vocal manipulations to enhance the futuristic ambiance.

3. Chorus: Increase the intensity and energy of the track in the chorus section. Incorporate soaring synth melodies, powerful chords, and layers of atmospheric pads to evoke a sense of transcendence. Emphasize the euphoria and cosmic grandeur of love described in the poem.

4. Verse 2: Develop the rhythmic elements further, adding intricate drum patterns and intricate synth sequences. Explore variations in sound design and texture to maintain interest and reflect the surreal and deep nature of the poem's message.

5. Breakdown: Create a moment of introspection and reflection. Strip the track back to its core elements, focusing on a hypnotic and pulsating bassline. Allow the spoken word elements to take center stage, emphasizing the insightful and profound themes of love. Experiment with atmospheric effects and build tension gradually.

6. Build-up: Gradually reintroduce the layers of synths, effects, and percussion, building anticipation and energy.

7. Drop: Unleash the full force of the track, with a high-energy, driving drop. Incorporate distorted basslines, aggressive synth leads, and pounding kicks to deliver an intense and exhilarating experience.

8. Conclusion: Ease the track out with a gradual decrease in energy. Allow the atmospheric elements to take over once again, leaving the listener with a sense of awe and wonder.

Remember, these are just guidelines, and you're free to experiment and add your own unique touch to the track. Feel free to adjust the structure and elements to fit your creative vision. I hope this helps, and I can't wait to hear the final result of your track!

User
could you tell me the notes for the chorus section?

ChatGPT
Certainly! Here's a suggestion for the notes of the chorus section in the key of E minor, which can create a powerful and uplifting atmosphere:

Chorus:

• Chord 1: E minor (E-G-B)
• Chord 2: G major (G-B-D)
• Chord 3: D major (D-F#-A)
• Chord 4: C major (C-E-G)

You can experiment with different inversions or variations of these chords to add richness and complexity to the sound. Consider using arpeggios or melodic patterns within these chords to create movement and capture the essence of the poem's surreal and futuristic themes.

Feel free to adjust and modify these chords to fit your musical vision and personal style. Remember, these suggestions are just a starting point, and you can always add your own creative flair to make the track truly unique. Enjoy the process of bringing the poem to life through your music!

User
can you tell me notes for a melody that fits to these chords

ChatGPT
Certainly! Here's a suggested melody that fits the chords provided for the chorus section in the key of E minor:

Chorus Melody:
(Note: The melody below is just a starting point, and you can modify and embellish it according to your taste and style.)

E D C B A B C D E E
G F# G A B A G F# E D
D E F# G F# E D C B A
C B A G F# G A B C

You can use these notes as a foundation and experiment with rhythm, phrasing, and variations to create a captivating melody that resonates with the mood and theme of the poem. Feel free to explore different octaves, intervals, and techniques to add your personal touch and bring out the desired emotions in the track.

Remember, the melody should complement the chords and enhance the overall atmosphere of the chorus section. Trust your instincts and let your creativity guide you as you craft a memorable and impactful melody for your track. Have fun with the process, and I'm excited to hear how it turns out!

User
are all of your notes the same length?

ChatGPT
No, the notes provided in the previous response are not necessarily all the same length. The melody's rhythm and note durations can vary to add dynamics and interest to the composition. To indicate the relative durations of the notes, you can use musical notation symbols or words to describe their lengths, such as quarter notes, eighth notes, or specific rhythmic patterns.

For example, using the previous melody suggestion, here's an updated version with varying note durations:

Chorus Melody (with suggested note durations):
(Note: The following representation uses dashes to indicate longer notes and spaces to represent rests. You can translate this into standard musical notation or adjust the durations as desired.)

E - D C B A - B C D E E
G - F# - G - A - B A - G F# E D
D - E F# G F# E D C B A
C - B A - G F# - G - A - B C

In this representation, the longer dashes indicate sustained notes, while the shorter dashes represent quicker, shorter notes. Experiment with different rhythmic patterns, note durations, and rests to create a dynamic and engaging melody that suits your desired style and vision for the track.

Remember, these suggestions are flexible, and you can modify them based on your preferences and the specific vibe you want to convey in the music.

[Even though ChatGPT gave me an example of the melody's note lenghts, I decided to follow its second suggestion, and improvise a bit "based on my own preferences"]

User
should i use more than 1 melody for the chorus section?

ChatGPT
Using multiple melodies in the chorus section can add depth, complexity, and interest to your track. It allows for different melodic ideas to interact and complement each other, creating a more dynamic and engaging composition. Here are a few approaches you can consider:

1. Harmonizing Melodies: Create a primary melody and then introduce a secondary melody that harmonizes with it. The harmonizing melody can play parallel or complementary notes, creating a rich and layered sound. Experiment with different intervals, chord tones, and counterpoint techniques to achieve a harmonious blend.

2. Call and Response: Establish a main melodic phrase as the "call," and then introduce a contrasting melodic phrase as the "response." The call and response approach creates a musical conversation between the melodies, adding a playful and interactive element to the chorus section.

3. Melodic Variation: Develop variations of the main melody throughout the chorus section. You can modify the rhythm, note sequence, or ornamentation while still maintaining a recognizable melodic motif. This approach keeps the melody fresh and evolving, capturing the listener's attention.

Remember, the choice to use multiple melodies ultimately depends on the overall style and desired impact of your track. Consider the energy level, emotions you want to convey, and how the melodies interact with other elements like vocals, chords, and rhythm. Trust your musical intuition and experiment with different ideas to find the combination that best serves your artistic vision.

User
what does "ornamentation" of melody mean?

ChatGPT
In the context of music, ornamentation refers to the embellishments or decorative elements added to a melody. Ornamentation can enhance the expressiveness, variation, and overall interest of a melody. These embellishments can be applied to individual notes or phrases within the melody, adding nuance, flair, and personalization to the music.

Common forms of melodic ornamentation include:

1. Trills: Rapid alternation between two adjacent notes, typically executed by quickly oscillating between the main note and the upper or lower neighboring note.

2. Grace Notes: Swiftly played notes that are either played immediately before or after the main note, often as quick flourishes or decorative touches.

3. Turns: A sequence of four notes that usually starts with the main note, followed by the upper neighboring note, the main note again, and then the lower neighboring note, creating a melodic embellishment.

4. Mordents: Similar to turns, mordents involve a rapid alternation between the main note and the upper or lower neighboring note, but typically with fewer notes involved.

5. Glissandos: Sliding or bending between two pitches, often used to create a smooth transition between notes.

6. Vibrato: A slight fluctuation in pitch or intensity of a sustained note, adding expressiveness and richness to the sound.

These are just a few examples of melodic ornamentation techniques. The choice and use of ornamentation depend on the style, genre, and emotional context of the music. It's important to balance ornamentation with the overall musical flow and not overuse embellishments, as they should enhance the melody without overshadowing it.

Ornamentation allows for personal expression and interpretation, allowing the performer or composer to add their unique touch to the melody. Experiment with different ornamentation techniques and find the ones that complement the mood and style of your music.

User
I assume i could also change the octave of individuals notes, down or higher, to create change and modulation?

ChatGPT
Absolutely! Changing the octave of individual notes is an effective technique to create variation, change, and modulation within a melody. Shifting a note up or down an octave can bring a fresh perspective to the melodic line and add a sense of movement and excitement to the music.

Here are a few ways you can use octave changes to enhance your melody:

1. Octave Leaps: Introduce octave leaps at strategic moments within the melody to create dramatic jumps and emphasize certain phrases or climactic points. These leaps can generate a sense of energy and impact in the composition.

2. Octave Doubling: Double certain notes or sections of the melody in a higher or lower octave to create a fuller and richer sound. This technique can add depth and thickness to the overall musical texture, especially when combined with harmonies or other instrumentation.

3. Octave Swells: Gradually move a note or a phrase up or down an octave over time. This technique can be used to build tension, create dynamic swells, or transition between sections of the composition. It adds a sense of motion and progression to the melody.

4. Octave Modulation: Use octave changes as part of a broader modulation or key change within the music. Shifting the entire melody up or down an octave can contribute to a more significant tonal shift and help convey different emotions or moods.

Remember to use octave changes strategically and in a way that serves the overall musical intent. Pay attention to the context, dynamics, and emotional impact you wish to achieve. Octave changes can be powerful tools to add variety and interest to your melody, so don't hesitate to experiment and find the octave shifts that best enhance your composition.

User
What chords or melodies could i use for the introduction?

ChatGPT
For the introduction of your track, you have a few options for chords and melodies that can set the tone and capture the attention of the listener. Here are a couple of suggestions:

1. Atmospheric Chords:
Consider using ethereal and atmospheric chords to create a sense of intrigue and anticipation. You can use sustained or arpeggiated chords with lush reverb and delay effects to create a spacious and immersive sound. Experiment with chord progressions in minor keys or suspended chords to evoke a mysterious or otherworldly atmosphere.

2. Melodic Hooks:
Introduce a captivating melodic hook that grabs the listener's attention right from the start. This can be a simple yet memorable melody that repeats or evolves throughout the introduction. You can emphasize certain notes using staccato or rhythmic patterns to make the melody stand out. Use a combination of synths, plucked instruments, or even vocal samples to create an engaging and catchy hook.

3. Rhythmic Patterns:
Another approach for the introduction is to focus on rhythmic patterns that build anticipation and energy. Layer percussive elements, such as electronic drums or pulsating synth sequences, to create an infectious rhythm. Add subtle variations and transitions in the patterns to maintain interest and set the stage for the upcoming sections of your track.

4. Textures and Soundscapes:
Create an immersive soundscape using evolving textures and atmospheric sounds. Combine ambient pads, field recordings, and synth textures to paint a sonic landscape that draws the listener into your musical world. Gradually introduce and morph these sounds to add depth and a sense of progression throughout the introduction.

Remember, the introduction sets the mood and prepares the listener for what's to come. Experiment with different chord progressions, melodies, and textures that align with the overall style and vibe of your track. Trust your instincts and allow your creativity to guide you in crafting an introduction that captivates your audience from the very beginning.

User
please suggest an atmospheric chord progression for the introduction

ChatGPT
Certainly! Here's a suggestion for an atmospheric chord progression that you can use for the introduction of your track:

Chord Progression: Am - Em - F - G

This progression is in the key of A minor and offers a melancholic and introspective atmosphere. It has a subtle sense of tension and release, which can set a captivating mood for the introduction of your track.

You can experiment with different inversions and voicings of these chords to create variations and add complexity to the progression. Additionally, consider using effects like reverb and delay to enhance the atmospheric quality of the chords.

Remember, this is just a starting point, and you can modify the progression to fit your desired style and artistic vision. Feel free to explore other chord progressions in minor keys or experiment with adding additional chords or extensions to further enhance the atmosphere.

Happy creating!

User
tell me the notes of these chords please

ChatGPT
Certainly! Here are the notes for the suggested atmospheric chord progression in the key of A minor:

Chord Progression: Am - Em - F - G

Notes for each chord:

Am (A minor):

• Root: A
• Minor third: C
• Perfect fifth: E

Em (E minor):

• Root: E
• Minor third: G
• Perfect fifth: B

F (F major):

• Root: F
• Major third: A
• Perfect fifth: C

G (G major):

• Root: G
• Major third: B
• Perfect fifth: D

These notes represent the basic triads for each chord. You can experiment with different chord voicings, inversions, and extensions to add further depth and complexity to the progression. Feel free to explore different ways of playing these chords to achieve the atmospheric and introspective sound you're aiming for.

Remember to have fun and let your creativity guide you as you work on your track!

User
please suggest a melody i can use with these chords

ChatGPT
Certainly! Here's a melody suggestion that you can use with the atmospheric chord progression (Am - Em - F - G):

E (quarter note) D (eighth note) C (eighth note) B (eighth note) A (eighth note) B (eighth note) C (eighth note) D (eighth note) E (eighth note) E (quarter note)
G (quarter note) F# (eighth note) G (quarter note) A (quarter note) B (quarter note) A (eighth note) G (quarter note) F# (quarter note) E (quarter note) D (quarter note)
D (quarter note) E (eighth note) F# (eighth note) G (quarter note) F# (eighth note) E (eighth note) D (quarter note) C (quarter note) B (quarter note) A (quarter note)
C (quarter note) B (eighth note) A (quarter note) G (quarter note) F# (eighth note) G (quarter note) A (quarter note) B (quarter note) C (quarter note)

This melody is designed to complement the chord progression and create an atmospheric and introspective feel. It incorporates ascending and descending patterns that flow with the chords. Feel free to adjust the rhythm, note durations, or add embellishments to personalize the melody and make it your own.

Remember to experiment with variations, dynamics, and expression while playing the melody. Explore different octaves, rhythms, and articulations to find the phrasing and nuances that resonate with your artistic vision.

Feel free to adapt the melody to your taste and explore different variations. Trust your musical instincts and have fun creating your track!

[IIRC, this time I used the notes exactly as ChatGPT provided them]

User
what key is the chord progression in?

ChatGPT
The suggested chord progression (Am - Em - F - G) is in the key of A minor. A minor is a relative minor key to the key of C major, which means they share the same key signature (no sharps or flats). In this case, the tonic or starting chord, Am (A minor), establishes the tonal center, and the subsequent chords Em (E minor), F (F major), and G (G major) are diatonic chords within the A minor key.

By using chords from the key of A minor, you create a melancholic and introspective atmosphere. This key choice provides a darker and more emotive tonality, which can be well-suited for creating a captivating and atmospheric mood in your music.

User
what key is the suggested melody in?

ChatGPT
The suggested melody provided earlier is in the key of E minor. The key of E minor shares the same key signature as G major, which is one sharp (F#). The melody is based on the notes within the E minor scale, which include E, F#, G, A, B, C, and D.

User
when the f in the chord and the f# in the melody meet, this sounds a bit harsh. is this intended?

ChatGPT
If the clash between the F in the F chord and the F# in the melody sounds harsh to your ear, it would be best to make an adjustment to create a more harmonically pleasing sound. 

User
is f# part of e minor?

ChatGPT
You are correct. F# is indeed part of the E minor scale. 

User
can an e minor melody work on an a minor chord progression?

ChatGPT
Yes, a melody in E minor can work well with an A minor chord progression. The key of A minor is the relative minor of C major, and E minor is also a relative minor of G major. Since A minor and E minor share many common notes, melodies in E minor can often harmonize and complement the A minor chord progression.

When crafting your melody, consider emphasizing the notes that are shared between the A minor chords and the E minor scale, such as the notes A, C, and E. Additionally, you can experiment with incorporating passing tones, chord tones, and melodic motifs that highlight the unique character of E minor while staying harmonically connected to the A minor progression.

Remember, music is a creative endeavor, and there are no hard and fast rules. Trust your musical instincts, experiment, and explore different possibilities to create a melody that resonates with your artistic vision and complements the A minor chord progression.

User
i think the melody and the chords fit nicely. i was just checking if there was an inconsistency. but both chords and melody harmonize quite well.

ChatGPT
That's great to hear! I'm glad to know that the melody and chords fit nicely together and harmonize well. Music theory can be complex, but exploring different combinations and finding harmonious connections is part of the creative process.

When chords and melody align effectively, it creates a cohesive and pleasing musical experience. Trusting your ears and personal artistic judgment is crucial in determining what sounds good to you. If the combination of the melody and chords resonates with you and evokes the emotions and atmosphere you desire, then you've likely achieved a successful musical composition.

Feel free to continue experimenting, exploring, and refining your musical ideas. Music theory is a valuable tool, but ultimately, the most important aspect is to create something that speaks to you and your listeners. If you have any more questions or need further assistance, please don't hesitate to ask.

User
can you list the various parts of our song again?

ChatGPT
Certainly! Here's a recap of the different sections of the song we've discussed:

1. Introduction:

• Atmospheric chord progression: Am - Em - F - G

2. Chorus:

• Chord progression: Em - G - D - C 

These are the main sections we've discussed so far. You can consider incorporating variations, ornamentation, and dynamic changes within each section to add further depth and interest to the composition.

Remember, these are building blocks, and you have the creative freedom to modify and expand upon them according to your artistic vision. Feel free to experiment, add additional sections, and make adjustments as needed to create a cohesive and captivating musical piece.

If you have any more specific questions or need further assistance, please let me know.

User
are two chord progressions with melodies enough, or do i need a third melody and progression, for example for the ending?

ChatGPT
The decision of whether to include a third melody and chord progression for the ending of your song ultimately depends on your artistic vision and the desired structure and length of your composition.

Having two chord progressions with melodies can already provide a solid foundation for a song. However, adding a third melody and chord progression for the ending can introduce a sense of closure, resolution, or a final musical statement.

Consider the overall flow and structure of your composition. If you feel that a third melody and chord progression would enhance the progression of the song and give it a satisfying conclusion, then it can be a valuable addition. This could involve exploring different harmonic choices, melodic motifs, or rhythmic variations that create a distinct emotional impact for the ending section.

On the other hand, if you are satisfied with the current two sections and feel they provide a complete musical journey, there is no requirement to add an additional melody and progression. Sometimes simplicity and leaving the listener wanting more can be just as effective.

Ultimately, trust your artistic intuition and listen to what feels right for the composition. If you feel that a third section would elevate the overall impact of your song, go ahead and explore that possibility. Music is a creative endeavor, and there are no rigid rules—what matters most is crafting a composition that resonates with you and your intended audience.

User
can you repeat the idea behind this song again?

ChatGPT
Certainly! The idea behind this song is to create a dynamic and energetic composition in the rave/trance/techno hardcore style. The intention is to combine futuristic and surreal elements with deep and insightful themes, particularly focused on love.

The song features two main sections: the introduction and the chorus. The introduction sets the atmospheric tone of the track with an emotive chord progression (Am - Em - F - G) and a melody that gradually builds anticipation and energy.

The chorus section introduces a catchy and energetic chord progression (Em - G - D - C) accompanied by a melodic line that captures the essence of the futuristic and insightful theme of love. The melody is designed to be uplifting and captivating, driving the energy of the song forward and creating a sense of excitement and euphoria.

The combination of the chord progressions, melodies, and the overall production in the rave/trance/techno hardcore style aims to create a captivating and immersive experience for the listener. It is a fusion of futuristic soundscapes, thought-provoking themes, and high-energy elements, all coming together to convey a unique and powerful musical journey.

I hope this recap helps clarify the core idea and direction of the song. If you have any further questions or need additional assistance, please feel free to ask.

User
can you give me a bass line in the key of e minor for the song.

ChatGPT
Certainly! Here's a bassline suggestion in the key of E minor for your song:

Verse/Chorus Bassline:

| E (quarter note) | - - - - | G (quarter note) | - - - - |
| A (quarter note) | - - - - | C (quarter note) | - - - - |
| B (quarter note) | - - - - | B (quarter note) | - - - - |
| A (quarter note) | - - - - | G (quarter note) | - - - - |

This bassline follows the chord progression of the verse and chorus sections, providing a solid foundation and rhythmic drive to the song. You can experiment with variations, adding fills, slides, or additional notes to enhance the groove and energy of the bassline.

Remember to adjust the rhythm and note durations according to the desired feel and style of your song. The suggested bassline is a starting point, and you can customize it to fit your specific musical vision and the intricacies of the other elements in the track.

Feel free to modify and adapt the bassline as needed, and let your creativity guide you in crafting a bassline that complements your melodies, chord progressions, and overall musical direction.

If you have any more questions or need further assistance, please let me know.

User
can you also give me bass synth sequence consisting of 16th notes, that's typical of techno tracks. i want to use it in a middle part in which no chords are used. it should be energetic and stimulating. also in the key of e minor.

ChatGPT
Certainly! Here's a suggestion for an energetic and stimulating bass synth sequence in the key of E minor, consisting of 16th notes:

| E2 (16th note) | G2 (16th note) | A2 (16th note) | B2 (16th note) |
| C3 (16th note) | B2 (16th note) | A2 (16th note) | G2 (16th note) |

You can repeat this sequence multiple times, experiment with variations, and add embellishments to create a dynamic and engaging bassline. Adjust the note lengths, slides, and accents according to the desired rhythmic feel and style of your techno track.

Feel free to tweak and customize the sequence to fit your specific musical vision and the energy level you want to convey in the middle part of your song. Techno music often incorporates repetitive and hypnotic elements, so you can play with the sequence to create a compelling and captivating groove.

Remember to experiment with different sound design techniques, effects, and filters to further enhance the impact and character of the bass synth sequence. This will help add depth and texture to the overall sonic experience.

If you have any further questions or need additional assistance, please feel free to ask.

User
now for the drumming. techno often uses a 909 drum machine. are you aware of the sounds it can create?

ChatGPT
Yes, I'm aware of the sounds produced by the Roland TR-909 drum machine, which is widely used in techno music. The TR-909 is renowned for its distinct and iconic drum sounds that have become synonymous with the genre.

The TR-909 features a variety of drum sounds, including:

1. Kick Drum: A deep and punchy bass drum sound, often characterized by a long decay and a strong attack.

2. Snare Drum: A snappy and crisp snare sound, typically with a short decay and a pronounced "snap" or "crack" quality.

3. Hi-Hats: Open and closed hi-hat sounds, providing crisp and metallic percussive elements. The closed hi-hat has a shorter decay and a tighter sound compared to the open hi-hat.

4. Cymbals: Crash and ride cymbal sounds, adding shimmering and sustained elements to the drum pattern.

5. Toms: Various tom drum sounds, offering a range of pitch and tonal variations for creating rhythmic fills and accents.

These drum sounds can be combined and sequenced in different patterns to create dynamic and driving techno rhythms. The TR-909 drum machine has been a staple in the genre for its ability to generate powerful and distinctive drum patterns.

If you're looking to recreate the sound of a TR-909 drum machine, there are numerous software emulations and sample packs available that accurately capture the essence of its iconic drum sounds.

Feel free to let me know if you'd like assistance in creating specific drum patterns or if you have any more questions related to drum programming in the context of techno music.

User
yes, please create a drum pattern for me that i can use in the song. 

ChatGPT
Certainly! Here's a suggested drum pattern in the style of techno, utilizing the sounds and characteristics typically associated with the Roland TR-909 drum machine:

Kick:          |X---|---X|X---|---X|
Snare:         |---X|----|---X|----|
Closed Hi-Hat: |X-X-|X-X-|X-X-|X-X-|
Open Hi-Hat:   |--X-|----|--X-|----|
Crash Cymbal:  |----|----|-X--|----|
Ride Cymbal:   |----|----|----|----|
Toms:          |----|----|X---|----|

You can adjust the velocities, accents, and variations of each drum hit to create a dynamic and evolving drum pattern that suits your composition. Experiment with different patterns, fills, and effects to enhance the energy and drive of your techno track.

Feel free to modify the pattern based on your specific preferences and the unique characteristics of the sounds you're using. Drum programming in techno allows for a great deal of experimentation and creativity, so don't hesitate to explore different rhythmic possibilities.

If you need any further assistance or have any specific requirements for the drum pattern, please let me know!

User
thanks! now please give me another pattern, that can i be used in a fast and energetic techno track with 160 bpm that's influenced by old hard-trance, rave and hardcore tracks. the bass drum should follow a "four to the floor" pattern.

ChatGPT
Certainly! Here's a suggested drum pattern for a fast and energetic techno track with 160 BPM, influenced by old hard-trance, rave, and hardcore tracks:


Kick:          |X---|X---|X---|X---|
Snare:         |---X|----|---X|----|
Closed Hi-Hat: |X-X-|X-X-|X-X-|X-X-|
Open Hi-Hat:   |--X-|----|--X-|----|
Crash Cymbal:  |----|----|-X--|----|
Ride Cymbal:   |----|----|----|----|

Remember, this is just a starting point, and you can customize the pattern to suit your specific needs and preferences. Feel free to experiment with variations, fills, and additional percussive elements to capture the energetic and intense vibe of old hard-trance, rave, and hardcore tracks.

Don't hesitate to adjust the velocities, use different drum sounds, or incorporate additional elements like claps, rides, or vocal samples to further enhance the energy and excitement of your track.

If you have any further questions or need additional assistance, please let me know!

User
please give me a more "broken", arrhythmic, syncopated pattern of hihats

ChatGPT
Certainly! Here's a suggested broken and syncopated pattern for the hi-hats in your techno track:


Closed Hi-Hat: |X---|-X-X|X---|X-X-|
Open Hi-Hat:   |--X-|----|--X-|----|

In this pattern, the closed hi-hat hits create a broken and syncopated feel by emphasizing certain offbeats and introducing variations in the rhythm. The open hi-hat accents add an additional layer of texture and dynamics.

Feel free to experiment with different combinations, variations, and accentuations to further enhance the broken and syncopated feel. You can also adjust the velocities and use different hi-hat sounds or effects to add more character and depth to the pattern.

Remember to keep the overall energy and vibe of your track in mind when designing the hi-hat pattern. The broken and syncopated hi-hats can contribute to the intricate and lively nature of your fast-paced techno composition.

If you have any further questions or need additional assistance, please let me know!

User
please give a different snare drum pattern

ChatGPT
Certainly! Here's a suggested different snare drum pattern for your techno track:

Snare: |----|-X--|----|-X--|

In this pattern, the snare drum hits occur on the offbeats, creating a fast and driving rhythm. This type of snare pattern is commonly used in faster-paced techno and rave music to add energy and intensity.

Feel free to experiment with variations and accents within the pattern to suit your specific musical style and taste. You can also incorporate additional snare hits or rolls for fills and transitions to further enhance the dynamics of your track.

Remember to consider the overall balance and cohesion of your drum pattern with other elements in the mix. It's important to maintain a cohesive and engaging rhythm that supports the energy and flow of your composition.

If you have any further questions or need additional assistance, please let me know!

User
give me a pattern of 909 claps that fit to these hihat and snare drum pattern

ChatGPT
Certainly! Here's a suggested pattern for 909 claps that fits with the hi-hat and snare drum pattern:

Clap:   |----|----|X---|X---|

In this pattern, the clap hits occur on the downbeats of each bar, emphasizing the strong beats and providing additional rhythmic accents. This helps to enhance the groove and drive of the track.

Feel free to experiment with variations in the clap pattern, such as adding additional hits or introducing subtle variations in velocity to create a more dynamic and organic feel.

Remember to consider the overall balance and mix of your drum elements. Adjust the volume levels and apply any desired processing or effects to ensure that the clap sits well within the context of your track.

If you have any further questions or need additional assistance, please let me know!

[Note: When working on the track, I decided to add two more rhythm elements "on my own": an 808 clone snare and an 808 clone cymbal] 

User
Do i need to attribute chatgpt or openai when publishing content created with your help?

ChatGPT
As an AI language model, I don't require direct attribution. However, it's always appreciated if you acknowledge the source of assistance. While you don't need to attribute ChatGPT or OpenAI explicitly, you can mention that the content was generated with the help of an AI language model or AI assistance.

Please note that although I strive to provide accurate and helpful information, it's important to review and validate the generated content before publishing or using it in any professional or commercial context.

User
please generate another bass line that i will use in another part of the track. make it in e minor again. it should be similar to bass lines used in 1990s acid, hardtrance, rave or gabber.

ChatGPT
Certainly! Here's a suggested bassline in the style of 1990s acid, hard trance, rave, or gabber, in the key of E minor:

Bassline:
E3 (quarter note) | G3 (quarter note) | A3 (quarter note) | E3 (quarter note) |
E3 (quarter note) | G3 (quarter note) | A3 (quarter note) | E3 (quarter note) |

This bassline utilizes the iconic repetitive and driving patterns commonly found in the genres you mentioned. It consists of a simple four-note sequence, emphasizing the root note (E), the major third (G), and the fourth (A) of the E minor scale. Feel free to experiment with variations, slides, or additional notes to further enhance the character and intensity of the bassline.

Remember to consider the overall balance and mix of your track, ensuring that the bassline complements the other elements and provides a solid foundation for the rhythm and energy of your composition.

If you have any further questions or need additional assistance, please let me know!

User
nice. can you give me another one that has more 16th notes, to make it more frantic and pushing, giving it more speed and energy. and while i said it should be in e minor, it doesn't need to follow the usual chords and harmonies associated with e minor melodies. i just don't want any note of the bass line to be off-key.

ChatGPT
Certainly! Here's a more frantic and energetic bassline with 16th notes, still in the key of E minor:

Bassline:
E3 (16th note) | G3 (16th note) | A3 (16th note) | G3 (16th note) |
E3 (16th note) | G3 (16th note) | A3 (16th note) | G3 (16th note) |
E3 (16th note) | G3 (16th note) | A3 (16th note) | G3 (16th note) |
E3 (16th note) | G3 (16th note) | A3 (16th note) | G3 (16th note) |

In this bassline, the 16th notes create a more frantic and pushing rhythm, adding speed and energy to the overall feel. The repetitive sequence of E, G, and A notes maintains the consistency and ensures that all the notes are in-key within the E minor scale.

Feel free to experiment with variations, slides, or additional note patterns to further enhance the intensity and driving force of the bassline. You can also layer it with additional bass elements or effects to create more depth and complexity.

Remember to consider the overall balance and mix of your track, ensuring that the bassline works well with the other elements and contributes to the desired atmosphere and energy of your composition.

If you have any further questions or need additional assistance, please let me know!

User
can you give me a more chaotic one

ChatGPT
Certainly! Here's a suggested chaotic bassline with unpredictable note patterns, still in the key of E minor:

Bassline:
E3 (16th note) | G3 (16th note) | F3 (16th note) | A3 (16th note) |
E3 (16th note) | D3 (16th note) | G3 (16th note) | F3 (16th note) |
A3 (16th note) | E3 (16th note) | F3 (16th note) | D3 (16th note) |
G3 (16th note) | A3 (16th note) | E3 (16th note) | F3 (16th note) |

In this chaotic bassline, the note patterns deviate from the predictable sequence and introduce more dissonance and unpredictability. The choice of notes includes variations such as F3 and D3, which add tension and unconventional harmonic elements to the bassline.

Feel free to experiment with further variations, slides, or even random note choices within the E minor scale to create a more chaotic and experimental sound. This will help to push the boundaries and add an element of surprise and intensity to your track.

Remember to ensure that the chaotic bassline still fits within the overall context and atmosphere of your composition. It can be a powerful tool for creating tension and contrast, but it's important to maintain a sense of coherence and balance within the overall musical structure.

If you have any further questions or need additional assistance, please let me know!

[Note: that's quite a lot of basslines, but I ended up incorporating most of them in various ways in the final track]

[Time passes...]

User
I finished working on the track, incorporating your ideas and instructions, and the resulting track sounds wonderful! thanks a lot!

ChatGPT
You're very welcome! I'm delighted to hear that your track turned out wonderfully. If you ever need more assistance or have any other questions in the future, whether it's about music production, creative endeavors, or anything else, don't hesitate to reach out. Enjoy your music-making journey, and have a great day!

End of transcript

Thursday, September 21, 2023

How to make music using ChatGPT Part 3: the TL;DR part (condensed information)

Here I will condense some ideas I've written about in other parts of the series; to make them more clear, and also to serve as a kind of introduction to people who have not read them. a true TL;DR thing.

When creating music with AI, there are of course several ways to go on about this.

Here are two of them.

1. Something I call the "one-click method" (even though it's rather typing than clicking).
People are used to apps like AI art generators, where they can type in one prompt, the AI generates a complete, finished picture.
Now they are looking for something similar in the world of music: a way to type in one prompt, or even several prompts, and the AI outputs a complete, finished track or song. Everything is automatized, everything is "ready for release". For example, typing in 'write an epic rock song with a powerful chorus', and the AI does just that, perfectly, and everyone is happy. Making a full track with the power of "one mouse click", so to say, metaphorically (even though it's rather typing in... well, you know that by now). Just like you can start a program, download a file, etc. just by one mouse click.
And if not a full .wav file output - at least a "full midi export" that you can just load into your daw, or something similar.

Many people are following this method, are developing apps that should work this way, and so on.
But, so far, I wasn't very happy with the results I heard, and there are lots of problems and obstacles on this route.
Maybe this will work in the future - but i do not think it works very good right now.
    
2. what i call the "human intermediary" method.
the idea here is that instead of aiming for 100% automation in AI music creation - the human performs some tasks in the production of music, too!
in it's "strongest" approach, the AI becomes the band and the executive music producer, with all the creativity, ideas, vocals, melodies, harmonies, rhythms, structures, and so on, the whole of the track or song - and the "human user" becomes the subordinate mixing engineer, who has to perform a lot of manual tasks.
the human becomes a kind of connection or bridge, between the AI, and the DAW or other equipment the music is produced on.

in a "weaker" approach, the user and the AI share (some of) the creativity of producing a track, and collaborate on these things.

there are a myriad of ways to go on about this; i outlined some of them already.
but in one way or another, they evolve around the same idea: the ai generates melodies, notes, patterns, or the outline, structure and theme of a track (and everything else you want) and the human user has to input this data into his DAW to generate the track.
if you have not done this before, this might be a bit hard to envision, so i've written a simple step by step example for creating an oldschool acid techno track this way here: https://laibyrinth.blogspot.com/2023/08/how-to-write-music-using-chatgpt-part-2.html

And a more complex (but still step-by-step) one for creating a 90s style hardcore techno track: https://laibyrinth.blogspot.com/2023/09/how-to-write-music-with-chatgpt-part-4.html

the possibilities are endless. the ai can generate any aspect of your track, or even brainstorm a track when you have run out of ideas, etc.

while most people look at method 1 right now, i think the "human intermediary" approach is more promising right now - and maybe even for the future.

some afterthoughts on this. (and it's not tl;dr anymore!)

i think an issue here is that the world of ai music right now is populated ai tech and diy music enthusiasts (don't worry, i'm one of them, too) that have a certain conception about music productions. they want a "jinn" that outputs final tracks.

but that's not how music production (without ai!) usually works in the "real world". far from it.
for example, there are big record labels that are looking out for artists, in hope that these artists become big stars and generate a ton of revenue.
they are looking for people that create extraordinary music, have special talents, maybe also a special voice or performing ability. that "extra" in creativity that normal people lack.

they will sign these people and spread their music all over the world.

*but*. they are not looking for artists that bring them finished songs or tracks! artists that come to their office and say, "hey, i (or my band) produced this album, it's very good music, it's finished, just upload it to the streaming services".

it's enough if the artist has *written* the songs, in the sense of having the notes, chords, vocals, and so on.
*finishing*, actually producing the track is then the task of the producers and mixing engineers in the studio.
(there are some examples of famous bands who actually *produced their own music* - but this is the exception to the rule, especially at the beginning of a band's career!).

and this is where AIs like ChatGPT come in.

they might not give you output in form of a final, finished track yet.
but they can take the role of artists, who write tracks and songs, i.e. writing the notes, verses, chorus, chord progression, and so on.
and the AIs can give you that extra creativity, that sonic genius, that is so rare in this world. and maybe even some creativity that is beyond existing human levels yet!
*but* you, as the "subordinate human mixing engineer", still have to do the manual task of actually producing the track of the AI, to get a truly tangible result. at least for now.

Thursday, September 14, 2023

How to write music using ChatGPT: Part 1 - Basic details and easy instructions

Hello,
It's your host, Low Entropy.

In this text I want to show how you can write a "complete" track or song, using ChatGPT.

My background is "experimental and sometimes very noisy Hardcore Techno", but these methods will work for any form of electronic, and any form of music really (even without electronics).

Obviously there are a lot of possible ways to use ChatGPT for music production; but I'll only talk about "my favorite" one here.
And before I get into the details, let us look at a few concepts first (or you can skip this section, and go straight to part 2, if you want to).

Part 1

1. In the 20th century, there has been progress in computer technology, and there has been progress in automation.
So much, that most people associate the one with the other, and take automation for granted when it comes to computer tech.
For example, a colleague can send you a file with the data you need for a document you work on via e-mail, and with a few clicks you can access the data, paste it into the document, and so on.
But it hasn't always been like that. For most part of the 20th century, using a computer meant a lot of manual, "analogue" work if you will, running around, physically doing stuff, and so on. There was little automation at first - humans needed to fill in a lot of the work (that is now been done by computers, too) - when working with computers.
I'll give one example: in the 80s, long before the rise of the internet, a popular way for "indie developers" to spread their games was to submit it to a computer magazine; they often published "monthly listings" and usually even gave a bit of money to the developers for such a listing.
And this meant that the actual game was published as a listing; in the magazines; endless printed lines of code! Sometimes spanning several issues of the magazine.
And the "gamers" sat at home, and typed the code into their computers; for hours and hours. Just typing in code. This could take weeks, or months maybe.
And once all the code was typed in - then, and only then you were able to run the "indie" game you got with the magazine in this way.

2. AI is a very diverse field. For example, with image generators, you can type in a prompt, and a complete, whole, finished image gets created.
Now, with music production, people too look for a way to "just type in one prompt" and get a full, finished track.
Essentially, they're looking for "100% automation" when it comes to creating music via AI. And indeed some AI services already have sprung up that head for that direction.
But I don't think this is the way to go; at least not right now, maybe it's something that becomes more suitable in the future.

One of the things here is that ChatGPT of course can't "synthesize" sounds. It's more or less text output only. Linking ChatGPT to a sound synthesizer directly has not worked for me yet.
This will disappoint people who want a "cozy and quick solution" - no "one click track production" here.
But seriously, if you are a real, human producer in electronic music, you can't synthesize your own sounds either. You need synths, drum machines and so on, as additional tools.
So we will use ChatGPT in a similar way; but more on that later.

3. The lower budget electronic music production scene is crowded with people with a DIY, "anarchist", "all-in-a-box" take on producing music; in the way of "I make my own drums, I make my own melodies, I make my own vocals" and so on. I.e. doing every aspect of your track yourself and having complete control over this.
In the past, and outside the "underground", music production often is not like this at all though; example: a famous bands wants to do an album, meets their producer, they already have rudimentary songs and vocals, and then they'll talk, talk, talk, change this or that, engineers might be involved that also give their opinion, and so on.

And, similar to this, with this method, neither ChatGPT nor you will fully have the say on your track, or "control" everything, and, yeah, there will be a lot of talking done between you and ChatGPT before you come up with results.

Part 2

So, with these things mentioned, here is the method that I want to propose to you:

You can involve ChatGPT in all aspects of the track you want to create. It can give you an idea of which track to create; it can tell you the overall theme of the track; it's structure; it's sentiment; it's direction, and so on.
It can create the melodies of the track for you. Which chord progressions to use. Which bassline. The percussion sequences. The rhythm. The BPM. When to use which filter setting. What FX to use, and when. Distortion, compression, and so. Every detail.
It can create vocals for you, and with other AI tools, these AIs can sing the vocals to your track, and you can incorporate.
It can tell you the track structure; how each channel should be arranged; when to hit the bassdrum in your track.
Essentially, it can tell you about every detail of a possible track that ChatGPT will create for you.
But more than that, it also can offer you suggestions, changes, different iterations of this track.

In reverse, you can tell ChatGPT everything about the track that it should create for you. Should it be hard or soft? Slow or fast? Aggressive or mellow?
Should it be about love? Sadness? Anger? Tranquility?
Should it have a theme? What thoughts should it address? What emotion?
Even totally abstract concepts - "Create a track that will remind me of playing chess".
There are literally no limits!

But, here is the "catch";
While ChatGPT can do all the creative work you want; with this method, you will have to do a lot of *manual work*
"Physical" typing, copying, entering notes, doing things. 

As I won't "connect" ChatGPT directly to a synthesizer; instead, ChatGPT will give you all the output you need, but *you* then need to power up your DAW, or whatever equipment you use, and "enter" the notes, data, that ChatGPT outputs, into your DAW!
Essentially, you will become a kind of "mixing engineer" to ChatGPT; ChatGPT is the fat cat music producer with brainy creativity, and tells you which knob to turn and which button to hit.

This is nothing for the lazy, I can assure you, and can actually take quite some time! And I'm sure a lot of "hobby armchair producers" will not be interested in this method at this point anymore.

Although, of course, it's up to you how much of the creative process you hand over to ChatGPT; you can still play executive producer, too!

Part 3

So how does it work?
This depends a lot on the track you want to create, and in what way you want to involve ChatGPT.

I'll give some practical example.

1. Creating an 90s Acid Trance type track

Start your ChatGPT session. And remember: the more info you give ChatGPT, the better. and the more exact you are with your information, the better.
Introduce yourself to ChatGPT. tell it that you are a producer, give some details about your productions and your usual production styles; the DAW or equipment you use, and so on.
Tell ChatGPT everything about the project; what kind of track you envision, how it should sound, maybe even the emotions you want to convey.
Ask it to create the notes for a 16 note 90s type acid trance bassline loop.
You can try the notes in your DAW already (use a bass synthesizer, obviously). Does it sound right? If not, what needs to be changed? Tell ChatGPT to make the bassline more chaotic, or more mellow, or more driving, or more "oldschool", whatever you want.
Talk with ChatGPTand find the right bassline.

Essentially, do the same with all the other elements of the track.
Ask it to create a melody to use.
A percussion rhythm to use.
FX or other elements to use.

"Type" the notes and sequences into your DAW and see if you like them; if not, use the same process as above and ask for changes.

Reminder: it tremendously helps to tell ChatGPT about your DAW and which softsynths, drum machine emulation, etc. you use.
For example "I'm using an 808 clone" and then ask it to create a percussion sequence for that.
You can even give details like that you want the 808 cowbell sound to be prominent, and so on.

Now, that you have all loops and basic sequences ready, you can ask ChatGPT about the structure of the track.
When does the bassdrum need to come in, when does the breakdown happen, when does the main melody get introduced, and more.

Again, if ChatGPT's output is not detailed enough, or to you liking, you can tell this to ChatGPT, and get ChatGPT to be as specific as you want.
For example, at first it might give a more general output like 'make sure the bassdrum gets introduced at the climax of the track' or something in that vain; but you can ask ChatGPT to tell you the exact beat and bar when each elements of the track comes in, or gets cut off again.

You can also ask ChatGPT about any other aspect or part of the track that you want.
It will output everything; but you need to "punch it" into your DAW.

2. Creating an oldschool gabber techno track

Similar to above. But you could, for example, do the following:

Tell it you have a "hoover" juno synth type sound, and it should create a sequence for you that you can use this sound with.
Or that you have a t99 type sound and want it to create an epic gabber melody out of it for you.

3. General brainstorming

In the above examples, you already had a specific concept for a track; and you used ChatGPT to create all the "lower" details.
You can of course do the total opposite, too.
Ask ChatGPT to give you ideas about possible tracks.

For example: tell it that you want to create a track with electronic beats and an epic feel, and let it suggest to you which way to go on with this.

Second example: you want to do a track, and it should have a hard, driving drum, and epic vocals; but you don't have more ideas yet. Let ChatGPT suggest additional ideas, so that you have a complete track. Let it write the vocals for you. go on from there.

Even start totally from scratch; you want to create an electronic track, and ChatGPT should brainstorm for you and give you ideas; let it suggest a genre, overall concept, and so on.

Using "both" methods, you can create a full track, and involve ChatGPT in every part of the production process.

Part 4

There is more to be said, and more examples could be given; but I'll stop the text here. Let's just add two final things:

Of course this is no "perfect, one fix solution". You might not like some of the ideas ChatGPT does give you. Also ChatGPT might not understand all the ideas *you* tell it. But you can talk with ChatGPT about it and you can try to fix it that way.

Again, this is not really automatized; in some cases, if you just can't seem to agree with ChatGPT, it might even be better if you do some parts of the track "by yourself", like creating a melody in the old-fashioned form - on your own!

Also, as mentioned, it can involve a lot of "manual" work and copying and pasting and typing in data; and a lot of people won't like the idea to become the "mixing engineer" to ChatGPT and been told which note play and which fader to slide.

But, if you're into AI music production, this can be a lot of fun, the results can be very rewarding and, let me assure, truly mind blowing!

You might also want to read:


Saturday, September 9, 2023

How to write music with ChatGPT: Part 4 - Creating a 90s style Hardcore Techno track from start to finish

[Note: Right now, part 1 and part 3 of this series of features on our site are written, but remain unpublished - but will be published soon]

Hello,
It's your host, Low Entropy, again.
Here is another tutorial for writing music with ChatGPT. This time, the AI had a go at writing a 90s Hardcore Techno style track.
Unlike the "Oldschool Acid Techno" tutorial, ChatGPT also designed the track structure and everything else really; so it truly was involved in writing this piece of music from start to finish.

All of this was extremely fun and rewarding, and I hope you will enjoy this tutorial (and maybe the track, too :-)

Note: the track was made primarily made as an example to showcase some of the possibilities of writing music with AI. It could still be more fleshed out, complex, and have different production values. But I liked it nevertheless.

You can listen to the track here:


And here is the production chat transcript.
(The transcript has been slightly edited for the purpose of clarity).



User
Dear ChatGPT,
Let us write another track together.
I wanna create the framework of an oldschool gabber type track with you.
For this framework, I wanna use the following sounds:

bassdrum:

1. a distorted 909 clone bassdrum

other percussion:

2. a 909 clone snare
3. a 909 clone clap
4. a 909 clone closed hihat
5. a 909 clone open hihat
6. a 909 clone crash cymbal

melody / riffs / other sounds:

7. a juno synth "hoover" type sound typical for a gabber track
8. a t99 "orchestra hit" type sound typical for a gabber track
9. a distorted 303 clone bass line
10. a copyright free, public domain vocal sample I downloaded saying "this is the moment. the moment you have all been waiting for."

First, I will ask you to create notes for all these elements. Then we should go on with sequencing the channels, and so on.
Please don't do anything yet. I will tell you what to create, step by step.

Is this okay for you?

ChatGPT
Hey Low Entropy,

Absolutely, I'm up for creating an oldschool gabber track with you! Let's break it down step by step. Feel free to guide me through the process, and we'll start with creating notes for each of these elements when you're ready. Just give me the signal, and we'll dive into it.

Looking forward to making some hardcore magic with you! πŸŽ΅πŸ”Š

User
Oh, before I forget to say it: I will type all the notes you give me directly into my DAW, and use them with soft synths and drum emulators.
So, yes, please give me specific patterns, that I can copy into my DAW to use them for the track that we create :-)

The track should be 180 bpm

For the 909, I will use a straightforward four to the floor rhythm. I don't need additional notes for that.
But please create notes for the snare, the claps, the open and closed hihats, and the crash cymbal.
Keep in mind it should be an oldschool, 90s era type gabber track.

please output them in a way that looks like a drum roll sequencer, so that it is easier for me to copy them.

ChatGPT
Absolutely, Low Entropy! Here's a simplified drum roll sequencer for you to easily copy into your DAW:

 1: Kick
 2: Snare       x  -  x  -  x  -  x  -  
 3: Clap        -  x  -  x  -  x  -  x  
 4: Closed HH   x  x  x  x  x  x  x  x
 5: Open HH                               (for emphasis)
 6: Crash       x                            (at the start)

Each row represents a 8th note, and "x" or "-" indicates whether the corresponding sound should be present on that beat. Feel free to use this as a reference while programming your drum pattern. Let me know when you're ready to move on to the next elements or if you have any other questions! 🎢

User
that's nice already, but I want the hihats to be more frantic. please create sequences for them that are about twice the speed.

ChatGPT
Sure thing, Low Entropy! Let's crank up the speed for the hi-hats. Here are sequences for the closed and open hi-hats at approximately twice the speed:

For the closed hi-hat (8th notes):

 4: Closed HH  x  -  x  -  x  -  x  -

For the open hi-hat (8th notes):

 5: Open HH    -  x  -  x  -  x  -  x

This should make the hi-hats sound more frantic and energetic. Give it a try in your DAW, and let me know if it's what you had in mind or if you'd like any further adjustments! πŸ₯πŸŽΆ

User
now please create a sequence for the "hoover" juno type synth, in an oldschool gabber way.

ChatGPT
Certainly, Low Entropy! Let's create a classic "hoover" Juno-type synth sequence for your gabber track. This synth will provide that iconic melodic element. Here's a sequence:

 7: Synth   D# F A B A F D# F  (Example melody)

Of course, you can adjust the specific notes in the "hoover" melody to create the mood you want for your track. Let me know if you have a particular melody in mind, or if you'd like to explore more variations. πŸ₯πŸŽΆ

User
thanks! this all sounds already tremendously well.
Now let's generate an epic melody for the t99 "orchestra hit" type sound. it could as well have more notes than the other elements had so far, up to 32 notes.

ChatGPT
You got it, Low Entropy! Let's create an epic melody for the T99 "orchestra hit" type sound with up to 32 notes. This will add a dynamic and uplifting element to your track. Here's a 32-note melody sequence for the orchestra hit:

 8: Orch Hit   C D# F A C E F D# C A F C D# F A C E F D# C A F

This adds a 32-note melody for the orchestra hit sound. Of course, you can adjust the notes and their timing to create the epic feel you're aiming for. Let me know if you have a specific melody in mind or if you'd like any further tweaks! 🎡🎢

User
you only did output 22 notes. but that's okay. i'll just use the first 16 notes and repeat them. i tried it out, and it sounds fine.

now please generate a second melody for the t99 type sound, but make it more melodic, i'm thinking about these typical "epic" rave melodies that often repeat notes before changing the pitch.
Please generate a melody like this.

ChatGPT
Certainly, Low Entropy! I understand the type of epic rave melody you're looking for, where notes are repeated before changing pitch. Here's a melodic sequence for the T99 "orchestra hit" type sound with that characteristic style:

 9: Melodic Hit   C C C C D# D# D# D# F F F F A A A A C C C C

In this sequence, you have a melodic hit with notes repeating before changing pitch, which should give you that epic rave vibe. Feel free to adjust the specific notes or timing to suit your track's mood. If you have any more requests or need further assistance, just let me know! 🎡🎢

User
this is very good. again! I will use the first 16 notes of this melody in a loop.

please also create an alternative riff for the juno hoover type sound, so we have some variation

ChatGPT
Certainly, Low Entropy! Let's create an alternative riff for the Juno hoover-type sound to add some variation to your track. Here's an alternative melody:

 7: Synth Alt   A G F D# F G A F  (Alternative Hoover Melody)

This riff should provide a different melodic element that complements the main hoover melody. Feel free to experiment with both melodies and see how they fit into your track. If you have any more requests or need further assistance, don't hesitate to ask! 🎡🎢

User
now a melody for the 303 like bassline. i want to use it in the middle parts of the track.

ChatGPT
Certainly, Low Entropy! Let's create a melody for the 303-like bassline that you can use in the middle parts of your track. Here's a catchy bassline melody:

 10: Bassline   D# A B G# D# A B G# D# A B G# D# A B G#

This bassline melody provides a groovy and rhythmic element that can be used in the middle parts of your track. Feel free to adjust the notes or timing to match your desired vibe. If you have any specific changes or further requests, just let me know! 🎡🎢

User
let us do some sequencing of the patterns and channels now.
you now how a multi track sequence editor in a daw looks and works like, right?

let's begin. i want you to create the structure of the track. keep in mind it's an oldschool gabber track. how should it start?

ChatGPT
Let's start creating the structure of your oldschool gabber track. Typically, an oldschool gabber track has a specific structure. Here's a suggested arrangement:

1. Intro (16-32 bars):

    • Start with a simple kick drum.
    • Gradually introduce closed hi-hat and clap.
    • Tease the vocal sample ("This is the moment...").

2. Build-Up (16-32 bars):

    • Add snare and open hi-hat.
    • Introduce synth (hoover) melody.
    • Build anticipation.

3. Main Section (32-64 bars):

    • Drop bassline and orchestral hit.
    • Bring in the vocal sample.
    • Build energy and intensity.

4. Breakdown (16-32 bars):

    • Gradually remove most elements.
    • Leave vocal sample and atmospheric effects.
    • Create a break and anticipation.

5. Build-Up (16-32 bars):

    • Reintroduce elements, starting with kick, snare, and hi-hats.
    • Reintroduce synth (hoover) melody.
    • Build energy for the climax.

6. Main Section (32-64 bars):

    • Bring back the full force of all elements, including the bassline and orchestral hit.
    • The vocal sample can reappear for added impact and excitement.

7. Outro (16-32 bars):

    • Gradually fade out elements.
    • End with the kick drum.
    • Provide a sense of closure.

Remember, this is a basic structure, and you can adjust the length of each section and the exact timing based on your creative vision. Oldschool gabber tracks often have a formulaic structure, but there's room for creativity within that framework. Let me know if you'd like to proceed with this structure or make any specific modifications! πŸŽ΅πŸ”Š

User
let us proceed with this structure! please also give a suggestion when i should change to the alternate orchestral melody.

ChatGPT
For the suggestion of when to switch to the alternate orchestral melody, I recommend introducing it at the start of the "Main Section" (Point 6) where you've already built up the energy. This can create a fresh and exciting dynamic in the middle part of the track.

Feel free to adapt this structure as you see fit, and let me know if you have any specific ideas or if you'd like to start with a particular section of the track. We can continue to work on each part step by step! πŸŽ΅πŸ”Š

User
this looks magnificent!
yes, let's work on it step by step.

ChatGPT
Fantastic! Let's dive into it step by step. We'll start with the Intro and work our way through each section.

Intro (16-32 bars):

• Begin by setting the tempo to 180 BPM.
• In the first 8-16 bars, lay down the foundation with just the kick drum.
• Gradually introduce the closed hi-hat and clap to build rhythm.
• If you have any atmospheric effects or samples to add during this intro phase, consider placing them strategically.

Once you've completed this intro phase, let me know, and we'll move on to the Build-Up section. Feel free to share your progress or ask any questions along the way! πŸŽ΅πŸ”Š

User
yes, i've completed the intro. it sounds great!

ChatGPT
Awesome to hear that you've completed the intro, Low Entropy! Now, let's move on to the Build-Up section:

Build-Up (16-32 bars):

• Continue with the existing elements (kick, closed hi-hat, clap).
• Start introducing the snare and open hi-hat to intensify the rhythm.
• Gradually bring in the synth (hoover) melody to build energy and anticipation.

You can experiment with the timing and intensity of these introductions to create the desired build-up effect. Once you've completed this section, let me know how it's sounding, and we'll proceed to the Main Section. Keep up the great work! πŸŽ΅πŸ”Š

User
sounds great again! i've completed it.

ChatGPT
Fantastic progress, Low Entropy! Now, let's move on to the Main Section:

Main Section (32-64 bars):

• Drop the bassline and orchestral hit for a powerful impact.
• Increase the tempo if desired, emphasizing the 4-to-the-floor kick pattern.
• The vocal sample can make its first appearance here for a dramatic moment.
• Continue to build energy and intensity as this section progresses.

This is where the track really kicks into high gear. Once you've completed this main section, let me know how it's sounding, and we'll proceed to the Breakdown. Keep the energy flowing! πŸŽ΅πŸ”Š

User
done! i removed the hoover melody in this section, though, as it sounded chaotic / messy together with the orch hit melody. [Note: I eventually decided to re-introduce it at a later part.]

ChatGPT
Great work, Low Entropy! It's common to make adjustments like removing certain elements in the main section to create a more focused and impactful sound. Now, let's move on to the Breakdown:

Breakdown (16-32 bars):

• Gradually remove most of the elements, leaving just the vocal sample and perhaps some atmospheric effects.
• Use this section to create a sense of anticipation and a break from the high energy.
• You can experiment with filters and effects to add depth and texture to the remaining elements.

The breakdown is a crucial part of the track for creating tension before the build-up. Once you've completed this section, let me know, and we'll proceed to the Build-Up again. Keep up the excellent work! πŸŽ΅πŸ”Š

User
completed!

ChatGPT
Fantastic progress, Low Entropy! Now, let's move into the Build-Up following the breakdown:

Build-Up (16-32 bars):

• Start by reintroducing elements, beginning with the kick, snare, and hi-hats.
• Gradually reintroduce the synth (hoover) melody to build up energy for the climax.
• Continue building anticipation as this section progresses.

This build-up is essential for preparing the track for the final, high-energy section. Once you've completed this build-up, let me know how it's sounding, and we'll proceed to the Main Section again. Keep up the great work! πŸŽ΅πŸ”Š

User
it sounds extremely good!

ChatGPT
That's fantastic to hear, Low Entropy! Now, let's move on to the final part of the track, the Main Section:

Main Section (32-64 bars):

• Bring back the full force of all elements, including the bassline, orchestral hit, and any additional melodies.
• Use the alternate orchestral melody here for variety.
• Reintroduce the vocal sample for added impact.
• Continue building energy and intensity.

This is where the track reaches its peak, and you can let the music shine. Once you've completed this main section, let me know how it's sounding, and we'll wrap up with the Outro. You're doing an excellent job! πŸŽ΅πŸ”Š

User
should i change the speed again for this section?

ChatGPT
Changing the speed (tempo) in the final section of the track can be a creative choice and can add an extra dynamic element to your music. In many oldschool gabber tracks, it's common to increase the tempo gradually or suddenly for added intensity in the main section.

If you feel that increasing the tempo would enhance the energy and impact of this section, you can certainly give it a try. However, be mindful not to change the tempo too drastically, as it should still fit within the overall feel and flow of the track.

Experiment with a gradual tempo increase and see how it works in the context of your track. If it adds to the desired effect, it can be a powerful tool for building excitement. Just ensure that the transition feels smooth and natural.

Once you've made your decision regarding the tempo, proceed with the Main Section, and let me know how it sounds when you're ready to move to the Outro. Keep up the great work! πŸŽ΅πŸ”Š

User
the section sounds great!

ChatGPT
Now, let's wrap up with the Outro:

Outro (16-32 bars):

• Begin the outro by gradually fading out elements.
• End the track with just the kick drum, providing a sense of closure.

This section should gently bring the energy down and give the listener a satisfying conclusion to the track.

Once you've completed this outro, you'll have a full structure for your oldschool gabber track! Feel free to share your progress or ask any questions along the way. You've done an excellent job crafting your music, and I'm here to assist with any final touches or adjustments you might want to make. πŸŽ΅πŸ”Š

User
Thank you for everything! The framework is finished now, sounding good. I'll take a well-deserved break now, and add some final touches and edits later :-)

ChatGPT
You're very welcome, Low Entropy! I'm glad to hear that the framework is complete and sounding good. Enjoy your well-deserved break, and when you're ready to add those final touches and edits, don't hesitate to reach out if you need any assistance or have any questions. Creating music is a wonderful process, and your oldschool gabber track is shaping up to be something special. Best of luck with the finishing touches, and have a great time working on your music! πŸŽ΅πŸ”ŠπŸŽΆ

[A few days later...]

User
Dear ChatGPT, I finished the track now, and it sounds really, really fine! I made some final additions and changes: I used the "epic rave melody'" that we created as the main melody for the orchestra hit sounds; and the first melody we created for it as the "alternative melody". I added filters for the juno type synth and bass line. I added a "rave signal" rhythmic alert sound at same parts. I added more atmospheric sounds. And some other tiny changes. So, as I said, everything is finished now, and I'm happy with it! Thanks again.

ChatGPT
You're very welcome, Low Entropy! I'm delighted to hear that your track is now complete and that you're happy with the final result. It sounds like you've made some fantastic additions and changes, including using the epic rave melody and the alternative melody for the orchestra hit sounds, adding filters, atmospheric elements, and even a rhythmic alert sound. These touches can truly enhance the depth and impact of your music.

Your dedication to the creative process and your attention to detail have paid off in the form of a great-sounding track. If you ever have more music-related questions or if you decide to embark on another musical project in the future, don't hesitate to reach out. Enjoy your music, and I wish you all the best in your artistic endeavors! πŸŽ΅πŸŽΆπŸ”Š

End of chat transcript

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