The idea here is collaboration - ChatGPT doesn't throw an album at me, but we both work on it together, exchange ideas.
Because we want AI to elevate the artist, not to eliminate them, right?
This tutorial is much shorter than the preceding ones. The reason for this is that while in the earlier tutorials, ChatGPT created most elements of the track, in this one, ChatGPT gives me a nice melody, and I do a Speedcore jam and create the rest of the track.
Thus, this tutorial could be useful in the following cases:
-You want to create a track and need a starting point / melody, and then build the rest by yourself
-Or you are already working on a track, it's nearly finished, but one cool element / melody is still missing...
-Plenty of other possibilities
This time I used it for producing Speedcore, but of course the same concept can be used for any other genre of music literally, maybe even acoustic folk or barbershop singing... who knows!
You can listen to the finished track here:
https://gabbaretrecords.bandcamp.com/track/machine-mind
You can access the rest of the tutorials here:
https://laibyrinth.blogspot.com/2025/01/tutorial-how-to-create-whole-doomcore.html
Or listen to the finished album here:
https://gabbaretrecords.bandcamp.com/album/gbbr099-dj-ai-low-entropy-intelligence-of-doom
Which was released using the "DJ AI" persona / avatar, which was also created by ChatGPT, but that is a wholly different story...
Here is a transcript of the ChatGPT session.
(This transcript continues from the first parts, where I tell ChatGPT about the melodies I used in my tracks in the past, and specify what kind of melodies I'd like the AI to compose for our collaboration.)
*This* tutorial makes a lot more sense if you read it in the context of the others.
Either way - here we go:
-Begin of Chat Transcript
[Continued from Tutorial 2...]
ChatGPT:
Let's break away a bit and explore something fresher and more distinct. Here’s a reimagined arpeggio melody that maintains the doomcore intensity but shifts the tonal structure and note progression to stand out from the first melody:
New Melody (8 Bars / 32 Beats at ~140 BPM):
B4 G#5 F#5 D#5 B4 G#5 F#5 D#5 B4 G#5 F#5 D#5 B4 G#5 F#5 D#5
E5 C5 G#4 A5 E5 C5 G#4 A5 E5 C5 G#4 A5 E5 C5 G#4 A5
F5 D5 A#5 G5 F5 D5 A#5 G5 F5 D5 A#5 G5 F5 D5 A#5 G5
D#5 G4 A4 F#4 D#5 G4 A4 F#4 D#5 G4 A4 F#4 D#5 G4 A4 F#4
Accompanying Bassline:
This time, let’s create a bassline that feels more dynamic. The root notes change every bar:
B4 E5 F5 D#5
(each held for 4 beats or 1 bar).
What’s Different Here?
Descending Tension:
The melody has a more pronounced descending flow, especially in the first half, which gives it a more melancholic pull.
Chromatic Touches:
Slight chromatic shifts between F#5, G#5, and G5 add dissonance and a haunting vibe.
Unexpected Low Notes:
The use of G4 and A4 in the last section brings a grounded weight, contrasting with the higher-pitched patterns earlier in the melody.
Let me know how this feels to you, or if you'd like further tweaks to push it even further out of the comfort zone!
User:
this one is cool, too. i think i will use both in upcoming tracks.
[Time passes...]
User:
I took the the melody that you created, added a few elements - snare, percussion, bassline, noize! - and turned it into a speedcore track at 180 bpm.
sounds dark and fierce now.
ChatGPT:
That’s sick! Taking that progression and pushing it into speedcore territory must have turned it into an intense sonic assault. The snare, noise, and bassline must hit like a freight train at 180 BPM. If you want to refine it further, need a title, or have plans for the EP lineup, let me know—I’m hyped to hear how this project is evolving!
-End of Chat Transcript
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